Fairest of All (Whatever After #1)
by Sarah Mlynowski · Whatever After #1
A clever fairy tale portal adventure that hooks reluctant readers and reimagines Snow White with girl power
The story
When ten-year-old Abby and her younger brother Jonah are magically transported through their basement mirror into the Snow White fairy tale, they accidentally change the story and must find a way to give Snow her happy ending while racing to get home before morning.
Age verdict
Best at ages 8-10 (grades 3-4). Accessible for strong 7-year-olds, enjoyable through age 11, but may feel too light for readers 12 and up.
Our take
Kid-engagement gateway: strong hook and momentum with accessible fairy-tale premise, moderate literary depth, strongest as a reading-habit builder
What stands out
Each audience's top 3 dimensions. Out of 30 scored per book.
Kids love
- First-chapter grab Strong
Comparable to Lunch Lady and the Cyborg Substitute — Opens with immediate intrigue and direct address ('Then the mirror in our basement ate us'), establishing distinctive voice. Sits at because voice hook strength matches anchor.
- Middle momentum Strong
Off the Hook — Every chapter end creates unresolved tension; nested problem-solving prevents narrative stalling. Sits at because relentless momentum is comparable to reference.
Parents love
- Reading gateway Strong
Comparable to A Bear Called Paddington — 169 pages, 400L Lexile, conversational voice, short chapters with cliffhangers, fairy tale premise lowering fantasy barrier. Sits at because gateway effectiveness equals anchor—converts reluctant readers.
- Stereotype-breaker Strong
Comparable to A Snicker of Magic — Snow actively saves prince via knowledge and action, not waiting for kiss. Abby defined by logic and judge aspiration. Diverse dwarf household. Sits at because stereotype-breaking is systematic and intentional.
Teachers love
- Reluctant reader rescue Exceptional
Hard Luck — At 169 pages with 400L Lexile, immediate engaging voice, adventure by chapter 5, familiar fairy tale frame—exceptional reluctant reader pick. More accessible than most chapter books. Sits at because reluctant-reader rescue effectiveness matches highest tier.
- Read-aloud power Strong
Comparable to The Golem's Eye — First-person conversational voice reads naturally aloud. Mirror-swallowing dramatic, character voices (Evil Evelyn's theatricality, Snow's formality) are performable. Sits at because read-aloud power is strong.
✓ Perfect for
- • Reluctant readers ages 8-10 who need a short, fast-paced hook
- • Kids who love fairy tales and want to see them reimagined
- • Readers who enjoy portal fantasies and what-if premises
- • Girls looking for a smart, logical female protagonist
Not ideal for
Readers seeking deep emotional complexity, rich vocabulary building, or real-world learning — this prioritizes entertainment and accessibility over literary ambition
⚠ Heads up
At a glance
- Pages
- 169
- Chapters
- 25
- Words
- 30k
- Lexile
- 400L
- Difficulty
- Easy
- POV
- First Person
- Illustration
- None
- Published
- 2012
- Publisher
- Scholastic Press
- ISBN
- 9780545855761
Mood & style
You'll know it worked when…
A child who finishes this book and immediately asks 'Is there a second one?' is ready for the full 17-book Whatever After series.
If your kid loved "Fairest of All (Whatever After #1)"
Matched across 30 dimensions — interest hooks, character appeal, tone, pacing, emotional core. Not by what other people bought. By what fits the same reader profile.
The Land of Stories: A Grimm Warning
by Chris Colfer
fairy tale as secondary genre. Both adventurous in tone
The Stonekeeper
by Kazu Kibuishi
Both adventurous in tone. Same emotional weight (moderate)
The Little Engine That Could
by Watty Piper
Same genre (fairy tale). Same pacing (steady clip)
The Lion, the Witch and the Wardrobe
by C.S. Lewis
Both adventurous in tone. Same emotional weight (moderate)
Rise of the Evening Star
by Brandon Mull
Both adventurous in tone. Same emotional weight (moderate)
Search for the Lightning Dragon
by Tracey West
Both adventurous in tone. Same pacing (steady clip)
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