Chainbreaker
by Tara Sim · Timekeeper Trilogy #2
A literary YA fantasy sequel that widens the Timekeeper world into colonial India and trades comfort for cost.
The story
Clock mechanic Danny Hart is sent from England to British-occupied India to investigate an impossible tower collapse, pulling him away from the clock spirit Colton. A second POV follows Daphne Richards navigating her mother's institutionalization and a dawning attraction of her own. Mystery, first love, and the ethics of empire braid together into a deliberately unresolved middle-book arc.
Age verdict
Best for 14-16; works for 13-18 with reader maturity. Not a middle-grade book despite the publisher's broad 'grade 9 and up' listing.
Our take
parent_leaning
What stands out
Each audience's top 3 dimensions. Out of 30 scored per book.
Kids love
- Heart-punch Strong
Danny's Ch.11 acceptance-of-the-India-assignment scene, Daphne's mother whispering the warped nursery rhyme 'the clock fell down' (Ch.7), and the Ch.41 capture ending land real emotional damage. Sits meaningfully below A Court of Mist and Fury (9, multi-chapter devastation) but matches Earthquake in the Early Morning (8) for engineered payday density.
- First-chapter grab Strong
Opening in St. Agnes's asylum - radio announcing an impossible tower fall while Daphne relives her Dover trauma - grabs with atmosphere and mystery at once. Comparable to All the Broken Pieces (7, verse opening establishing mystery + emotional stakes); richer than Brave New World (6) for teen immediacy but short of Lunch Lady & Cyborg Substitute (8)'s visual punch.
Parents love
- Stereotype-breaker Strong
Systematic casting against type: m/m central romance (Danny + Colton) presented as ordinary love; biracial Daphne with her own trauma and agency; Akash as a fully realized Indian mechanic rather than a colonial extra; mental illness depicted with compassion not melodrama. Comparable to A Wolf Called Wander (8) for dismantling multiple stereotypes at once; below Gathering Blue (9) only in scope.
- Emotional sophistication Strong
Danny holding love and duty simultaneously (Ch.11), Colton's vulnerability about being unequal to a mortal partner, Daphne's guilt-compassion blend toward her institutionalized mother - all ask teen readers to sit with contradictory feelings at once. Matches Breakout (8, layered competing feelings); below Children of Blood and Bone (9) in scope but at the same sophistication tier.
Teachers love
- Discussion fuel Strong
Multiple genuinely contestable questions: Was Danny right to leave Colton? Are Prometheus villains or liberators? Is sacrifice always noble? Students will arrive at different answers. Matches Fantastic Mr Fox (7) for disagreement-generating moral questions; below Earthquake in the Early Morning (8)'s density of strong prompts.
- Mentor text quality Solid
The Ch.7 opening paragraph (sensory metaphor + emotional tone), the Ch.10 exposition-through-action factory scene, and the Ch.11 internal-conflict decision scene are all teachable craft exemplars. Useful mentor-text excerpts at the sentence and scene level, though not a top-tier craft model like Tuck Everlasting.
✓ Perfect for
- • teen readers who loved Timekeeper and want the world to open up
- • readers who want queer YA fantasy with real historical grounding
- • teens ready for bittersweet, cliffhanger-ending series books
Not ideal for
Middle-grade readers, readers who need standalone resolution, or anyone averse to sensual romance and dark political content.
⚠ Heads up
At a glance
- Pages
- 478
- Chapters
- 50
- Words
- 110k
- Difficulty
- Advanced
- POV
- Alternating
- Illustration
- None
- Published
- 2018
- Publisher
- Sky Pony Press
Mood & style
You'll know it worked when…
Readers who finish will want Book 3 (Firestarter) immediately; the ending is deliberately painful.
If your kid loved "Chainbreaker"
Matched across 30 dimensions — interest hooks, character appeal, tone, pacing, emotional core. Not by what other people bought. By what fits the same reader profile.
Clockwork Prince
by Cassandra Clare
Same genre (fantasy). Both bittersweet in tone
Daughter of the Moon Goddess
by Sue Lynn Tan
Same genre (fantasy). Both bittersweet in tone
Carry On
by Rainbow Rowell
Same genre (fantasy). Both bittersweet in tone
The Beast Player
by Nahoko Uehashi
Same genre (fantasy). Both bittersweet in tone
Ash
by Malinda Lo
fantasy as secondary genre. Both bittersweet in tone
Endling: The Last
by Katherine Applegate
Same genre (fantasy). Both bittersweet in tone
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